National Institute for Japanese Literature (NIJL) Arts Initiative

Activating Performance: "One Million Years" and "Million Dollar Walk"

Patrick Jacobs: "Come Closer to Me" at Pierogi Gallery

Part III: Art House Project: Use What Exists to Create What Is to Be

Part II: Chichu Art Museum: James Turrell’s Open Sky

Part I: Benesse Art Site Naoshima: an Art Island as a Catalyst for Social and Economic Change

Border Crossings: U.S.-Japan Creative Forum at Roppongi Academy Hills

Japanese Indigo Comes to Brooklyn!

Kara Walker's "a Subtlety" at Creative Time

Frieze Art Fair New York

Floating Cities: Swoon at Brooklyn Museum

Intricate Ingenuity: Folk Couture at the American Folk Art Museum

Colorful Rebellion as Art: Sebastian Masuda at Kianga Ellis Projects

Destruction as expression: Maximo Caminero and Ai Wei Wei

Traditional Ink Used in Modern Ways: Ink Art at The Metropolitan Museum

I See The Body (Of Light) Electric: James Turrell at LACMA

Chinese Artists and Their Politics: Hugo Boss Asia Art at Rockbund Art Museum

Out of Doubt: An Interpretation on the State of Japanese Contemporary Art

Chris Burden: Scaling up, scaling down

You are most lovable and capable, Rob Pruitt

Tomoko Sugimoto's Intricate Threads

Mike Kelley: Why the Retrospective Format is Important

Sami Lukkarines's Pizellated Portraits

Tribal Textiles at South Luangwa, Zambia

Akira Horikawa: Microscopic Black Fantasies

Tomokazu Matsuyama: The Mash-up Continues

Claire Healy & Sean Cordeiro: Global Nomads

Paola Pivi at Galerie Perrotin, or Why New York Is Still an Art World Epicenter

Being Marina Abramovic: Digital Long Durational Works

Actualizing Connections: Lee Mingwei and His Relations at Mori Art Museum

Hosoe Eikoh: Curated Body 1959-1970